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Archive of Malian Photography
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Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198140.jpg
Bamako, Mali. Moussa Kalapo cleans negatives, first stage in the archiving process before digitization and cataloging, and repackaging the archives of Malian photographers.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198141.jpg
Bamako, Mali.Cleaning negatives, first floor in the archiving process before digitization and cataloging, and repackaging the archives of Malian photographers.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198142.jpg
Bamako, Mali. Negatives once cleaned are placed in a small envelope and referenced before being scanned.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198143.jpg
Bamako, Mali. Negatives once cleaned are placed in a small envelope and referenced before being scanned.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198144.jpg
Bamako, Mali. Moussa Kalapo carefully arranging the negatives on the scanner.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198145.jpg
Bamako, Mali. Operation in progress to scan the negatives and get the resulting pictures on the screen.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198146.jpg
Bamako, Mali. Once scanned, the photographs corresponding to the negatives are trimmed one by one in order to work on a single image.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198147.jpg
Bamako, Mali. Once scanned, the references of the photograph, the author, the year, and a description of the photo are written on the envelope.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198148.jpg
Bamako, Mali. Once scanned, the references of the photograph, the author, the year, and a description of the photo are written on the envelope. The envelope is then put in a box, it even numbered and indicating the number of negatives inside. (Here on the right, Box of Adama Kouyaté containing 380 negatives). NEH being the name of the project and the American curator. (National Endowment for the Humanities)
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198149.jpg
Bamako, Mali. Once scanned, the references of the photograph, the author, the year, and a description of the photo are written on the envelope. The envelope is then put in a box, itself numbered.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198150.jpg
Bamako, Mali. Moussa Kalapo, photographer of the Photographic Training Center of Bamako, is employed on the archiving project then proceeds to fill in an Excel table of all the information that the photography can provide. (Collection, Name of the photographer, Year, description, format, ect ..)
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198151.jpg
Bamako, Mali. Boxes containing the original negatives. Some photographers have been able to keep and archive dozens see hundreds of thousands of negatives during their career. Here, we can see that the negatives were stored in an envelope each day. (Eg negatives of July 19, 1978)
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198152.jpg
Bamako, Mali. An audit is performed by the employee to ensure that the scan meets the negative.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198153.jpg
Bamako, Mali. View on a computer screen of a number of scanned negatives of photographer Tijani Sitou.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198154.jpg
Bamako, Mali. Last step of archiving, translation. Here, the translator first ensures that the description in French corresponds to the photograph, and then itself will translate the various elements previously described in the Excel table. This stage of translation was realized thanks to 5 translators from the Ecole Normale Supérieure of Bamako. (ENSUP), as well as the work of preservation and digitization, which was carried out by Malian photographers from the Bamako Photographic Training Center (CFP) or son of photographers involved in archiving.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198155.jpg
Bamako, Mali. Last step of archiving, translation. Here, the translator first ensures that the description in French corresponds to the photograph, and then itself will translate the various elements previously described in the Excel table. This stage of translation was realized thanks to 5 translators from the Ecole Normale Supérieure of Bamako. (ENSUP), as well as the work of preservation and digitization, which was carried out by Malian photographers from the Bamako Photographic Training Center (CFP) or son of photographers involved in archiving. The archive of the Malian photograph gives access to the preserved and digitized collections of five of the best photographers of Mali. Since 2011, a team of American curators, in collaboration with those in Mali, have been cleaning, digitizing, cataloging and repackaging about 100,000 negatives from the photographers' archives (Mamadou Cisse, Adama Kouyaté, Abdourahmane Sakaly, Malick Sidibé and Tijani Sitou) for preservation. and sustainable access.
Archive of Malian Photography
Nicolas Réméné / Le Pictorium
LePictorium_0198156.jpg
Bamako, Mali. Moussa Kalapo cleans negatives, first stage in the archiving process before digitization and cataloging, and repackaging the archives of Malian photographers. The archive of the Malian photograph gives access to the preserved and digitized collections of five of the best photographers of Mali. Since 2011, a team of American curators, in collaboration with those in Mali, have been cleaning, digitizing, cataloging and repackaging about 100,000 negatives from the photographers' archives (Mamadou Cisse, Adama Kouyaté, Abdourahmane Sakaly, Malick Sidibé and Tijani Sitou) for preservation. and sustainable access.