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Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
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Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143157.jpg
"Make hummus not walls", graffiti by Benji Boyadgian.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143161.jpg
"Our Lady that break down the walls"
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the wall" by the artist Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the wall" by the artist Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143156.jpg
Barbed wire and portrait of Leila Khaled PFLP activist.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143165.jpg
Palestinian Catholic priest praying where Pope Francis prayed in 2014.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143153.jpg
Graffitis on "Apartheid Avenue"
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143154.jpg
The rhino by Banksy
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143155.jpg
Graffiti on the wall
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143158.jpg
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143159.jpg
"Our Lady of the Wall"
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143160.jpg
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143162.jpg
Barbed wire and "Our Lady that breaks down walls."
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143163.jpg
"Our Lady of the wall"
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
Bethlehem - Graffiti and wall of separation / Manoƫl PƩnicaud
Manoƫl PƩnicaud / Le Pictorium
LePictorium_0143164.jpg
At the entrance of Bethlehem, the wall of separation or protection has become a political place of expression for artists from around the world (such as Banksy, etc).
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.
The icon "Our Lady that break down the walls" by Ian Knowles, near the checkpoint, is emblematic of the mobilization of the figure of Mary, shared by Christians and Muslims.